Pavel Pepperstein
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Double Thin King. 2017. Exposition view at Doublethink: Double vision at Pera museum, Istanbul (curator Alistair Hicks). 2017. Acrylic on canvas, 180x540 cm.
Supremes as a form of censorship (K. Malevich objected to the depiction of nymphs and bacchae, accordingly suprematism is an “art of censorship), 2016. Ink on paper, 50 x 65 cm
An autonomous phallus of marine origin in the form of an aesthete deep in meditation, 2016. Ink on paper, 50 x 65 cm
From the series "A History of Futuristic Hallucinations", From the series 'A History of Futuristic Hallucinations', 2016. Acrylic on canvas, 100 × 150 cm
Ivan The Terrible is killing his son. 2017. Acrylic on canvas. 140x180 cm
Exposition view "A History of Futuristic Hallucinations" at Spazio 22, 2016
From the series «A History of Futuristic Hallucinations» 2016. Ink and watercolor on paper, 56 x 76 cm
From the series «A History of Futuristic Hallucinations», 2016. Ink and watercolor on paper, 56 x 76 cm
From the series "A History of Futuristic Hallucinations", 2016. Acrylic on canvas, 100 × 150 cm
From the series 'A History of Futuristic Hallucinations', 2016. Acrylic on canvas, 90 × 150 cm
Don't wake up my pussy, 2016. Acrylic on canvas, 85 × 85 cm
From the illustrations for the book The Secret of Our Time. Pavel Pepperstein. 2012. Watercolor on paper. 29,5x20,8 cm.
From the illustrations for the book "The secret of our time". Watercolor on paper, image with signature 17.5 x 10.5 cm, 2012
The Secret lair of the "Angels" in Abandoned Sanatorium, 2015. From the series Trip across Camps and Cloisters. Ink and watercolor on paper. 56 x 76 cm
”The Tate Gallery in London", 2015. Ink and watercolor on paper. 56x76 cm
Double Thin King. 2017. Exposition view at Doublethink: Double vision at Pera museum, Istanbul (curator Alistair Hicks). 2017. Acrylic on canvas, 180x540 cm.
Supremes as a form of censorship (K. Malevich objected to the depiction of nymphs and bacchae, accordingly suprematism is an “art of censorship), 2016. Ink on paper, 50 x 65 cm
An autonomous phallus of marine origin in the form of an aesthete deep in meditation, 2016. Ink on paper, 50 x 65 cm
From the series "A History of Futuristic Hallucinations", From the series 'A History of Futuristic Hallucinations', 2016. Acrylic on canvas, 100 × 150 cm
Ivan The Terrible is killing his son. 2017. Acrylic on canvas. 140x180 cm
Exposition view "A History of Futuristic Hallucinations" at Spazio 22, 2016
From the series «A History of Futuristic Hallucinations» 2016. Ink and watercolor on paper, 56 x 76 cm
From the series «A History of Futuristic Hallucinations», 2016. Ink and watercolor on paper, 56 x 76 cm
From the series "A History of Futuristic Hallucinations", 2016. Acrylic on canvas, 100 × 150 cm
From the series 'A History of Futuristic Hallucinations', 2016. Acrylic on canvas, 90 × 150 cm
Don't wake up my pussy, 2016. Acrylic on canvas, 85 × 85 cm
From the illustrations for the book The Secret of Our Time. Pavel Pepperstein. 2012. Watercolor on paper. 29,5x20,8 cm.
From the illustrations for the book "The secret of our time". Watercolor on paper, image with signature 17.5 x 10.5 cm, 2012
The Secret lair of the "Angels" in Abandoned Sanatorium, 2015. From the series Trip across Camps and Cloisters. Ink and watercolor on paper. 56 x 76 cm
”The Tate Gallery in London", 2015. Ink and watercolor on paper. 56x76 cm