artists

Pavel Pepperstein

790.jpgDouble Thin King. 2017. Exposition view at Doublethink: Double vision at Pera museum, Istanbul (curator Alistair Hicks). 2017. Acrylic on canvas, 180x540 cm.871.jpgSupremes as a form of censorship (K. Malevich objected to the depiction of nymphs and bacchae, accordingly suprematism is an “art of censorship), 2016. Ink on paper, 50 x 65 cm872.jpgAn autonomous phallus of marine origin in the form of an aesthete deep in meditation, 2016. Ink on paper, 50 x 65 cm668.jpgFrom the series "A History of Futuristic Hallucinations", From the series 'A History of Futuristic Hallucinations', 2016. Acrylic on canvas, 100 × 150 cm791.jpgIvan The Terrible is killing his son. 2017. Acrylic on canvas. 140x180 cm792.jpgExposition view "A History of Futuristic Hallucinations" at Spazio 22, 2016664.jpgFrom the series «A History of Futuristic Hallucinations» 2016. Ink and watercolor on paper, 56 x 76 cm661.jpgFrom the series «A History of Futuristic Hallucinations», 2016. Ink and watercolor on paper, 56 x 76 cm674.jpgFrom the series "A History of Futuristic Hallucinations", 2016. Acrylic on canvas, 100 × 150 cm672.jpgFrom the series 'A History of Futuristic Hallucinations', 2016. Acrylic on canvas, 90 × 150 cm667.jpgDon't wake up my pussy, 2016. Acrylic on canvas, 85 × 85 cm793.jpgFrom the illustrations for the book The Secret of Our Time. Pavel Pepperstein. 2012. Watercolor on paper. 29,5x20,8 cm.794.jpgFrom the illustrations for the book "The secret of our time". Watercolor on paper, image with signature 17.5 x 10.5 cm, 2012679.jpgThe Secret lair of the "Angels" in Abandoned Sanatorium, 2015. From the series Trip across Camps and Cloisters. Ink and watercolor on paper. 56 x 76 cm678.jpg”The Tate Gallery in London", 2015. Ink and watercolor on paper. 56x76 cm

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