Olga Bozhko's new project A different culture is a total installation created from a series of easel paintings, based on the mixture and interpenetration of two visual traditions – of Central Asia and Western Europe. The unifying element here is carton door mats that will not allow to break the museum cleanliness of the gallery as a product of western democracy. Tracing the external manifestations of the labor migration process in post-Soviet countries, the artist by all means supports the popular post-colonial discourse but remains true to her own ascetical ban on direct (and thus so uninteresting) political statements. She also manages to move away from Orientalism, the main danger of politicized art practices within the framework of this rather difficult subject – and she does it expertly, literally at the last moment, being on the edge. In her works, Olga definitely shows how the carriers and actors of bright authentic visual environment have to adapt when they find themselves in a civilizationally different design spaces and objects, and what kind of chimeras are born out of these unions. The artist creates the museum works, appealing to the history of art and Russian avant-garde in her “Skullcap” and to boisterous design of metropolitan boulevards and squares in “Hydra”, and to patriotic poster surge in “Go, Russia!”, and to the Soviet visuality of landscape sculptures in “A girl with a shovel”. The video from “Cheburek forever” literally becomes the anthem of the exhibition, representing the different culture as the psychoanalytic Different dissolved in the environment, but this does not make it less frightening, which only indicates the psychological trauma of the those who are frightened. The saddest work of the exhibition is apocalyptic “Island”, a material that would look appropriate in the construction market or in the anthropological museum of the future.