Olga Chernysheva
Solo show "Being Daphne". Installation view at Foxy Production, New York (presented together with Temnikova&Kasela, Tallinn)
2022
"Daphne" from the solo show "Being Daphne", at Foxy Production, New York, presented together with Temnikova&Kasela, Tallinn
2022
Watercolor and charcoal on paper
48 x 36 cm
Series "Chandeliers in the Forest". Installation view at the group show "Diversity United", Tempelhof, Berlin
2021
Solo show "Grids&Rips". Installation view at Foksal Gallery Foundation, Warsaw
2020
"Reflection 2" from the series "Reflections. Russian Museum"
2020
Charcoal on paper
60x84 cm
Series "Waiting for the Miracle", 2000. Installation view at the State Tretyakov Gallery, Moscow.
2018
c-print
series of color photos, 100 x 150 cm, 55 x 80 cm each.
Solo show "Attunements". Installation view at Iragui gallery
2017
Solo show "Chandeliers in the Forest". Installation view at Secession, Vienna
2017
"Chekhov Museum" video, "Chekhov Museum" storyboard. Installation view at Secession, Vienna
2017
"Screens", from the group show "Toward the Source". Installation view at Garage Museum, Moscow
2017
"Ornamental composition with deviations" from the solo show "Peripheral Visions", GRAD Gallery, London
2015
Charcoal on paper
60x84 cm
Series "On Duty". Installation view at Tate Modern, London (permanent collection display)
2007
Optical gelatin silver fibre print on paper
11 photographs, 743 × 500 mm each. Image courtesy Tate Modern
Still frame from "Russian Museum, 2003–5"
2003
video with sound
6 min 11 sec
[Luk] at this
1997
Black&white photo
98 x 135 cm, 50 x 67 cm

Olga Chernysheva was born in 1962 in Moscow, where she lives now. She grew up there as well as in Damascus, Syria. She was trained as an animation filmmaker at the All-Russian
State University of Cinematography named after S. A. Gerasimov (a.k.a. VGIK). She also studied at the Rijksakademie van Beeldende Kunsten in Amsterdam. Animation, as a way of bringing everything around us to life, has remained an important principle in her work, as has the metaphorical visual language of classic Soviet filmmakers such as Alexander Dovzhenko and Sergei Eisenstein.

Olga Chernysheva also relates to other movements in art history. Her work in different media – including drawing, painting, photography, video and very short essays combined
with still or moving images — is based on close observation of reality around her. It continues a long tradition of social realism in Russian culture (very different from the Socialist Realism that was the official artistic doctrine of the USSR) and of art as a vehicle for critical and compassionate narrative (which can also be formally bold and experimental). Her approach to art and life is both formally sophisticated and subtly humorous. One of her sources of inspiration (and the topic for her diploma work at the film academy) is the work of the military officer and painter Pavel Fedotov (1815–1852), who has been called ‘the Russian Hogarth’.

Her solo shows were held at the State Russian Museum in Saint Petersburg (“The Happiness Zone”, 2004), Kunsthalle Erfurt (“Compossibilities”, 2013), Museum of Contemporary
Art Antwerp (“Keeping Sight”, 2014), Secession in Vienna (“Chandeliers at the Forest”, 2017). She represented Russia at the Venice Biennale of 2001. Her works were displayed at the 56th Venice Biennale (2015), Manifesta 10 in Saint-Petersburg (2014), 1st Bergen Triennale, Bergen, Norway (2013).

She has also participated in numerous group exhibitions, such as ‘After Eisenstein’ at Lunds konsthall, Sweden, in 2008 (with Boris Mikhailov, Sergei Eisenstein and Kira Muratova, curated by Anders Kreuger and Åsa Nacking) and ‘The End of the 20th Century: The Best Is Yet to Come’ at Hamburger Bahnhof in Berlin (curated by Eugen Blume and Catherine Nichols).

In 2022 Olga Chernysheva became the laureate of the 15th Drawing Prize held by Daniel & Florence Guerlain Contemporary Art Foundation.